5 frames with a Franka Solida IIE - by Michael Scott

5 frames with a Franka Solida IIE – by Michael Scott

According to Wikipedia Franka Kamerawerk produced cameras between 1909 and 1967 in Bayreuth, Germany. At its height the factory produced about 650,000 units in 1958. So I was surprised I had never heard of the brand until I was searching for a useable but pocketable 6×6 camera.

The camera is a solid one sure enough, with an all metal construction. At about 13.5 x 9.5 x 4 cm it slips easily into a jacket pocket. I found my example on eBay, dating from 1955, at £9.99. It seemed too cheap to let it pass. It looked a bit shabby but nothing that a bit of glue and black shoe cream could not fix.

There were various iterations of the Solida and the IIE has an uncoupled rangefinder which on my example seems reasonably accurate and well aligned.

The lens is an Enna Werk Munchen Ennagon 75mm f3.5. It appeared clean and free of surface scratches, but the penlight test does show light haze (which does not seem to affect picture quality or contrast). As lenses of this era go it’s a pretty decent lens though it suffers from significant fall-off in the corners which might make it unsuitable for some situations such as landscapes. As a portrait lens though it does pretty well as the edges simply form part of the bokeh, or at least that’s the general idea.

When I received the Solida IIE the focusing action was pretty stiff but a warm up with gentle rotation loosened the grease and now it is fine.

The shutter is a Prontor – SVS with speeds running from 1s to 1/300th plus B (using the old fashioned shutter speeds, i.e. 1/25, 1/50, 1/100 etc). The slow speeds up to 1/10th are pretty sticky but I cannot recall the last time I shot at anything less than 1/30th.

I decided to go and try some street portraits down by the London’s Parliament Square where there is no shortage of people happy to be photographed as they make their voices heard over Brexit.


I used FP4 developed in Kodak HC-110 (formula B) and scanned the negatives on my Epson V550.

The challenge and delight of using a folder is the slowing down of the picture taking process. I found my subjects patient whilst I metered with my Minolta Auto Meter, ascertained distance with the rangefinder, set the focusing distance, aperture and shutter speed and finally cocked the shutter and fired.

The results are quite pleasing, not all sharp but that probably reflects focusing errors and maybe a little camera shake. I can definitely recommend these mid-50s folders if you can find a half decent one.

Please check out www.michaelscottfoto.com for more of my work.



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Michael is a London, UK based photographer who works exclusively with film, usually black and white. As a social documentary photographer he seeks out largely unnoticed and unobserved moments which celebrate the richness and diversity of humanity.


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