10 outstanding works that heralded the return of spring by artists around the world 8 minutes to read

10 outstanding works that heralded the return of spring by artists around the world 8 minutes to read


So a new year is coming to us, let’s see 10 works about spring by artists around the world!

Sandro Botticelli, Spring, c.1482

Spring (La Primavera) is one of the great works of the Renaissance and is considered one of the most famous works in history. In the center of the most famous painting of Botticelli is the goddess of the goddess with an angel flying overhead. Around the goddess are six women with two men. Everyone was standing under a row of ripe orange trees.

Some critics claim that the woman standing in front and spreading roses is Primavera, the embodiment of spring. On the right is the god Zephyrus holding the fairy goddess Chloris. According to mythology, the two were married and Chloris was transformed into Flora, the goddess of spring. Some believe that the figure of the man standing next to him wearing a rose motif could represent Chloris’s transformation into Flora. All in all, this is a ripe celebration and the world will be able to continue to flourish in spring again.

Pieter Brueghel the Younger, Spring, 1622-35

Many works of Pieter Brueghel the Younger They describe in detail the lives of farmers who do their daily jobs. He took the sketches of his father Brueghel the Elder and color them. Spring (Spring) is a drawing of his father in 1565 depicting a group of people preparing the soil, sowing seeds and getting ready for summer farming. We can see men and women working in common gardens, another group of men weaving vines in trusses, and in the distance a group of people dancing together. The picture is a depiction of the beautiful spirit of solidarity in labor.

Nicolas Poussin, Spring, 1660-4

Nicolas Poussin is a great master of French classicalism and Arcadian landscape in particular. One of his last great works was The Four Seasons performed for the Cardinal Richelieu from 1660 to 1664 and now hung in the Louvre. His vision of spring comes from two poets Milton and Virgil. We can see the Eden Eden before it collapses, the scene of Adam and Eve pointing naked at the Tree of Knowledge. The greenery that surrounds them is very lush and vibrant, this is a magnificent Roman landscape depicted in Georgics’s Virgil. And though they look to the forbidden left, we don’t see any snakes in Eden’s garden Poussin. This is the world’s springtime, long before winter comes.

Katsushika Hokusai, Sparrow perched on a cherry branch, 1834

Cherry blossoms, apples, peaches and plum blossoms are symbolic images of spring coming in Japan. In this country, the flower is of particular importance as a symbol of the transient nature of all things, for it blooms beautifully only in spring and will die soon after. Katsushiki Hokusai is one of the greatest Japanese painter ukiyo-e (wood carvings) of the 19th century. His 1834 Small Flowers collection includes the above work. The kanji on the side is a haiku’s poem Setsuman have content:

“The only bird appeared,

Wet in the morning mist,

Since morning, the cherry blossoms are in full bloom. ”

The picture focuses your mind on that single moment of stillness, a unique moment framed from the effects of time.

Pierre-Auguste Renoir, Spring flower pots, 1866

Spring Bouquet is a fairly early work of Renoir when he was 25 years old when he painted. His patrons were the La Coeur family and they bought paintings in support during the 1860s. This is a work that appeared before he created Impressionist masterpieces in the 1870s. can see many effects of Gustave Courbet in accurate realization. However, this is still a bright and vibrant picture with colors and flowers as if they were coming out of the frame to reach the viewer. In addition, the Japanese-style porcelain flower vase creates an accent.

Alfred Sisley, The Spring Meadow, January 1880

Sisley perhaps one of the most overlooked painters of the Impressionist group. However, he pursued this school from the very beginning with Pissarro and MonetAnd he never turned his back on Impressionism as the Renoir and Monet sometimes did. Meadow in spring His is currently kept in the Tate Collection in London.

In 1880, Sisley was forced to leave Paris for financial reasons and he moved to the countryside west of the city. His works at this time seemed to be sparking with new vitality. In the painting, he depicts a remarkably simple image; The trees were still bare and had no cherry blossoms. But in the foreground, he painted his little daughter as a symbol of the rebirth of a pictorial new life. La Primavera of the Botticelli.

Claude Monet, An orchard in spring, 1886

An orchard in spring of the Monet critics are sometimes hailed as the best of all the Impressionist spring works. The work shows the orchard belonging to the garden at Giverny in Normandy, attached to the house that he had rented in 1883 and then completely acquired. It was in that same garden, the waterways and bridges that inspired his later works of lilies. These are also considered classic examples of the violet fever (violetmania) of that time.

In an orchard in 1886, he painted the scene with an apple blossom dome covered as if to illuminate the whole scene. The person sitting below is said to be the mistress’s daughter at that time MonetHer mother is also his second wife after that.

Vincent van Gogh, Cherry tree, 1888

Van Gogh to the Arles in February 1888. It was bad then, but within two weeks, the sky had changed and the flowers began to bear fruit. Here he embarked on a series of works about blooming trees, and blooming flowers became the spiritual symbol of rebirth. A beauty born after a harsh winter is like a work of art created after much suffering and disappointment. The Pink Peach Tree was one of three pieces drawn that spring, along with Pink Orchard and White Orchard. Due to the high winds at that time, Van Gogh had to plug his easel into the ground before starting work.

Yoshu Chikanobu, Cherry blossom viewing, 1894

Yoshu Chikanobu was one of the great painters of the Meiji period (1868-1912). In his trio of woodblocks, he introduces the ladies of the Chiyoda Palace in Tokyo, who leave the palace to see the cherry blossoms.

Cherry blossoms are highly valued in Japanese culture, which is reflected in Hanami (cherry blossom viewing) custom, where people go out to watch the flowers and have a picnic under the trees. In fact, this custom has been common throughout Japan since at least the 8th century. Cherry blossoms bloom during the period from March to May along the northern part of the country.

Georgia O’Keeffe, Spring, April 1923

With her husband Alfred Stieglitz mine, Georgia O’Keeffe is a key name of Modernism in America. Many of her paintings of landscapes and flowers are currently kept at the Art Institute in Chicago, including works Spring her 1924 year. In 1929, O’Keeffe began frequent trips to New Mexico, where there were many connections to her works. In the spring, she describes her husband’s studio in a simple, windowless way with dense foliage, lots of lavender, lilac, and green tones. Blue patches seemed to float overhead and form one with the clouds.

Editor: Navi Nguyen
Source: Culture Trip

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